What Ilumax Sound is for
Ilumax Sound is a recording studio on your computer. You record, import, edit and arrange audio and MIDI in the Edit window, balance it in the Mix window, shape it with built-in effects and instruments or your own CLAP, VST3 and (on a Mac) Audio Unit plug-ins, and bounce the result to a WAV, AIFF or FLAC file.
Install and first launch
Install Sound with the Ilumax Launcher or from My downloads. The first time you open it, your Mac or PC asks you to confirm; the one-time steps are in Installing Ilumax apps.
Sound opens straight into an empty session, Untitled (48 kHz, 120 BPM), in the Edit window, playing through your computer’s default output. On a Mac, the first time you arm a track or record, macOS asks whether Sound may use the microphone: allow it, or Sound records silence.
If Sound closed last time with unsaved changes, it offers them back in Recover Unsaved Work.
Set up your audio
- Choose Setup ▸ Playback Engine....
- Pick the Output device you listen on and the Input device you record from, such as your audio interface.
- Set the Buffer size. Smaller is quicker to respond while you play and record; larger is steadier on a busy computer.
- Click Apply.
The choice is kept for this computer, not in the session. A session’s sample rate is set when you create it, in File ▸ New...; its bit depth is in Setup ▸ Session (Command2 on a Mac, Control2 on Windows).
Choose which input a track records from in the Mix window, under I / O ▸ Input on its strip (In 1, In 2 and so on).
Make your first mix
- Choose File ▸ New... (CommandN on a Mac, ControlN on Windows), type a Name, keep the Sample Rate and click Create. To explore a finished song first, tick Start from the demo session.
- Choose File ▸ Import ▸ Audio... (CommandShiftI on a Mac, ControlShiftI on Windows), click Browse…, pick a file and click OK. It arrives on a new track, at the start of the session. You can also drag files from Finder or File Explorer onto the window.
- To record instead: choose Track ▸ New... (CommandShiftN on a Mac, ControlShiftN on Windows), keep 1 new Mono Audio Track and click Create. Click the track’s record button (the red dot), then press F12 or the Record button in the toolbar. Press Space to stop.
- To cut a clip in two, click in the upper half of the clip where the cut should go, then choose Edit ▸ Separate ▸ At Selection (CommandE on a Mac, ControlE on Windows).
- To shorten a clip, move the pointer to its edge until it changes to the trim pointer, and drag.
- To fade in or out, drag from a top corner of the clip. Or select across the start or end and choose Edit ▸ Fades ▸ Create... (CommandF on a Mac, ControlF on Windows), pick a shape and click OK.
- Open the Mix window with Window ▸ Mix (CommandEquals on a Mac, ControlEquals on Windows). Drag a fader to set a track’s level and the knob to pan it; click the level under the fader to type one, such as
-6 dB. - To add an effect, click an empty INSERTS slot on a strip and choose one, such as Reverb ▸ Plate Reverb.
- Choose File ▸ Bounce Mix... (CommandOptionB on a Mac, ControlAltB on Windows). Pick the Format (WAV, AIFF or FLAC) and Bit Depth, tick Normalize to -0.1 dBFS if you like, and click Bounce. With nothing selected, the whole session is bounced.
- Choose File ▸ Save Session (CommandS on a Mac, ControlS on Windows). The first time, Sound suggests a folder named after the session; the session is saved there as an
.ilxsoundfile.
Find your way around
- Menus: File, Edit, View, Track, Clip, Event, Options, Setup and Window, among others. On a Mac they are in the menu bar at the top of the screen; on Windows, at the top of the window.
- Toolbar: the edit modes (SHUFFLE, SPOT, SLIP, GRID), zoom, the tools (Zoomer, Trim, Selector, Grabber, Scrubber, Pencil, and the Smart Tool that combines three of them), the counters, the Grid and Nudge values, the transport (Loop Playback, Stop, Play, Record, Return to Zero, Rewind, Fast Forward, Go to End), Meter, Tempo, the click and the output meter.
- Tracks and Groups, on the left, lists every track; its + adds tracks. The middle is the Session: the rulers, the track headers and the timeline. Clips, on the right, lists every clip.
- Track header: the round Track options button, the name (double-click to rename, drag to reorder), the record button, I (input monitoring), S (solo) and M (mute). Right-click it for Rename..., Duplicate..., Delete, Track Color and more.
- Mix window: one strip per track, with INSERTS, SENDS, I / O, the automation mode, pan, solo and mute, and the fader.
- Status bar: the session’s name, sample rate, bit depth and number of tracks, and the last thing Sound did.
Panels can be moved. Window ▸ Reset Panel Layout puts them back.
Everyday tasks
Edit with single keys
In the Edit window, plain letter keys run editing commands, because Commands Keyboard Focus is on: the a-z button in the toolbar. To type letters without editing, click a-z to switch it off.
- B splits at the selection; A and S trim a clip’s start or end to the insertion point.
- D fades to the start, G fades to the end, F opens Fades.
- X, C and V cut, copy and paste; Z undoes and ShiftZ redoes.
- R zooms out and T zooms in; E toggles zoom on the selection.
- P and Semicolon move the selection to the track above or below.
Record
- Click a track’s record button, or select the track and press ShiftR. Turn on I to hear the input through the track.
- Press F12, or the Record button, to record from the insertion point; Space stops. Select a range first to record only there. Press Record while playing to drop in on the fly.
- For several takes over the same bars, turn on Options ▸ Loop Record, select the bars and record: each pass becomes a take.
- Turn on the metronome with Options ▸ Click, or the click icon in the toolbar. Options ▸ Pre/Post-Roll (CommandK on a Mac, ControlK on Windows) plays a little before and after the range.
If nothing is armed, Sound says No track is record-enabled. Recordings are written to the session’s Audio Files folder as you record.
Choose an edit mode and a tool
The edit mode decides how clips move: F1 Shuffle (clips close up against each other), F2 Slip (free, the usual one), F3 Spot (to an exact time) and F4 Grid (to the grid).
The tools are F5 Zoomer, F6 Trim, F7 Selector, F8 Grabber, F9 Scrubber and F10 Pencil. The Smart Tool, selected to begin with, changes with where you point: the upper half of a clip selects, the lower half moves the clip, near an edge it trims, and at a top corner it fades.
Edit clips
- Edit ▸ Duplicate (CommandD on a Mac, ControlD on Windows) duplicates the selection; Edit ▸ Repeat... repeats it as many times as you say.
- Edit ▸ Heal Separation (CommandH on a Mac, ControlH on Windows) joins a clip you split back together.
- Edit ▸ Strip Silence (CommandU on a Mac, ControlU on Windows) removes the quiet parts.
- To remove a clip, select it and choose Edit ▸ Clear (CommandB on a Mac, ControlB on Windows), or right-click it and choose Delete. The Delete and Backspace keys don’t remove clips.
- Drag the small gain icon on a clip to make just that clip louder or quieter.
Set the tempo and the grid
Drag the Tempo value in the toolbar, or click it and type. To change tempo partway through, double-click the tempo ruler. The Grid value sets the grid’s spacing, from 1 bar down to small note values and times; the Nudge value sets how far a nudge moves a clip.
Mark places in the song
Press Return (Mac) or Enter (Windows) to add a marker at the insertion point. Click a marker in the markers ruler to go to it, or double-click it to rename it. Window ▸ Memory Locations (Command5 on a Mac, Control5 on Windows) lists them all.
Mix with sends, buses and groups
To share one reverb between tracks, click a SENDS slot and choose a destination bus, or new bus.... Then add an Aux Input track (Track ▸ New...), set its input to that bus, and put the reverb on it.
To move several faders together, choose Track ▸ Group... (CommandG on a Mac, ControlG on Windows), name the group and tick its tracks.
Double-click a fader, or Option (Mac) or Alt (Windows)-click it, to set it back to 0 dB; hold Command (Mac) or Control (Windows) while dragging for fine moves.
Use effects and plug-ins
Click an empty INSERTS slot to choose an effect. The built-in ones are grouped as Eq, Dynamics, Reverb, Delay, Modulation, Harmonic, PitchShift and Other, among them EQ 7-Band, Compressor/Limiter, Expander/Gate, De-Esser, Maximizer, Channel Strip, Room Reverb, Plate Reverb, Mod Delay, Chorus, Flanger, Phaser and Saturator.
Your own plug-ins appear under CLAP, VST3 and, on a Mac, Audio Units, when they are installed in the usual plug-in folders. Audio Unit plug-ins don’t show their own editor windows yet.
Click a filled slot to open the effect’s window: Bypass, Presets with Save, and, for your own plug-ins, Open Plugin Editor. Command (Mac) or Control (Windows)-click a slot to bypass it.
Automate the volume and more
Set a track’s automation mode (read, write, touch, latch, trim or off) in its header or on its strip, then play and move the fader: in a writing mode, the volume moves are recorded. For pan, mute or a plug-in setting, show its lane with the track’s view selector and draw it with the Pencil tool.
Work with MIDI and instruments
Add an Instrument Track in Track ▸ New...: it comes with Subtractive Synth; Drum Synth and Sampler are there too. Make a clip with Clip ▸ New MIDI Clip, or draw one with the Pencil, and edit its notes in the MIDI Editor, which has Quantize and velocity controls. Play notes with the on-screen MIDI Keyboard window.
File ▸ Import ▸ MIDI... brings in a MIDI file; File ▸ Export ▸ MIDI... writes one. Sound doesn’t connect to MIDI keyboards or other MIDI hardware yet.
Undo, and go back further
CommandZ (Mac) or ControlZ (Windows) undoes and CommandShiftZ (Mac) or ControlShiftZ (Windows) redoes; the Edit menu names the step. Window ▸ Undo History lists the last 200 steps: click one to go back to it.
Files
- Sessions are saved as
.ilxsoundfiles. Sessions saved with the older.scraftextension still open, and are saved back to their.scraftfile. - Clip groups are saved as
.ilxsoundgrp; File ▸ Import ▸ Clip Groups... brings them in, older.scgrpfiles included. - Imports: WAV (BWF and RF64 too), AIFF, FLAC, MP3, Ogg, AAC and M4A, and CAF audio; MP4 and MOV video; MIDI files.
- Bounces: WAV, AIFF or FLAC, at the session’s sample rate. There is no MP3 bounce: convert the WAV with another app if you need one.
When you save, Sound copies every recorded and imported sound into an Audio Files folder beside the session file, and keeps the last ten versions of the session in a Backups folder. Keep the session file and these folders together when you move or back up a song.
- Save Session Copy In... saves a copy and keeps you working in the original.
- Save As Template... saves the session’s tracks and settings without any clips; open it with Open Session to start a new song from it.
- File ▸ Export ▸ Selected Tracks as New Session... saves just the selected tracks as a session of their own.
If Sound closes unexpectedly
Sound keeps a copy of your unsaved changes within a second or so of each edit. The next time it starts after an unexpected close, Recover Unsaved Work offers them: click Recover, then save the session to keep them, or Discard.
Keyboard shortcuts
The single-key commands in Edit with single keys work on top of these.
On a Mac, ⌘ is Command, ⇧ Shift, ⌥ Option and ⌃ Control.
| To | Mac | Windows |
|---|---|---|
| Play or stop | Space | Space |
| Record | F12 or CommandSpace | F12 or ControlSpace |
| Back to the start / go to the end | Home or End | Home or End |
| Loop playback | CommandShiftL | ControlShiftL |
| Loop record | OptionL | AltL |
| Split at the selection | CommandE | ControlE |
| Trim to the selection | CommandT | ControlT |
| Undo | CommandZ | ControlZ |
| Redo | CommandShiftZ | ControlShiftZ |
| Clear (remove) the selection | CommandB | ControlB |
| Duplicate | CommandD | ControlD |
| Select all | CommandA | ControlA |
| New session | CommandN | ControlN |
| Open session | CommandO | ControlO |
| Save session | CommandS | ControlS |
| Save session as | CommandShiftS | ControlShiftS |
| New tracks | CommandShiftN | ControlShiftN |
| Import audio | CommandShiftI | ControlShiftI |
| Bounce mix | CommandOptionB | ControlAltB |
| Zoom in / out | CommandRight bracket or CommandLeft bracket | ControlRight bracket or ControlLeft bracket |
| Zoom to the selection | OptionF | AltF |
| Fit the session in the window | OptionA | AltA |
| Mute / solo the selected tracks | ShiftM or ShiftS | ShiftM or ShiftS |
| Arm / monitor the selected tracks | ShiftR or ShiftI | ShiftR or ShiftI |
| Add a marker | Return | Enter |
| Memory Locations | Command5 | Control5 |
| Switch between Mix and Edit | CommandEquals | ControlEquals |
| Fades | CommandF | ControlF |
| Taller / shorter tracks | ControlUp arrow or ControlDown arrow | ControlUp arrow or ControlDown arrow |
On a Mac, CommandSpace usually opens Spotlight, so record with F12 or the Record button; hold fn with the F-keys if they change the brightness or the volume; and CommandControlS searches for any command by name. Setup ▸ Keyboard Shortcuts... lists every shortcut.
Tips
- If keys do unexpected things in the Edit window, Commands Keyboard Focus is on: click a-z in the toolbar to switch it off.
- Double-click below the last track to add new tracks.
- Setup ▸ Appearance sets the interface scale and a light or dark theme.
- The switches in the Options menu are saved with each session, so a new session starts from the usual settings.
- When a bounce finishes, the status bar shows the file’s peak level and loudness (LUFS).
Get help
About Ilumax Sound, in the Ilumax Sound menu, shows your version and the support links.
Email [email protected]. Say which app and version you use, whether you are on a Mac or Windows, and what you did just before the problem.
Or go to Support: what to put in your email, and quick answers on installing, licence keys, renewals and refunds.
Lost your licence key? Email from the address you paid with, and it will be sent back to you. To download an app again, paste your key on My downloads.
Other companies’ product names mentioned in this guide are trademarks of their owners. Ilumax is not affiliated with them.
